Friday, February 15, 2013

The Princetta



Bondoux, A. (2006). The princetta. Bloomsbury Publishing. Bell, A. (A. Bell, Trans.). (Original work published 2004). 500 pages. ISBN 9781582349244
Primary genre: fantasy
Other elements: adventure, family, friendship, coming of age
Intended reader age: 12 and up
Synopsis:
Malva, fifteen-year-old Princetta of Galnicia, is tired of being only used and viewed as nothing more than a piece of property by her parent; whose only purpose in their house is to be married off in a bid for political advancement and security. Malva with the help of her long-time friend and maid, Philomena, and her tutor, the Archont plan an escape from the marriage. On the eve of her wedding Malva and Philomena embark on a journey that will take them both farther than they planned or ever thought possible.
Review:
It is very interesting to see how far this book went from what I originally thought it was going to be about. The story does not begin with the indication that fantasy aspects will be incorporated and the only mention I could find in my copy (which is the one pictured above) was in the inside jacket at the end of the blurb, “The Princetta is an epic tale filled with drama, magic and excitement, where challenges will be overcome, friendships cemented and hearts won and broken.” Every other descriptor on the jacket speak only of adventure: Malva’s escape and wish to be free of duty, obligation, and uncaring parents. I have no problems with the inclusion of fantasy and I really enjoyed how Bondoux did it because the characters were as surprised by it as the readers were supposed to be. They were pushing the limits of the Know World (that is what/ how they referred to it in the book) and it was thoroughly exciting. 
One of the more noteworthy elements I found in the story was the seeming difference (but really the similarities) between Malva and Orpheus, specifically their parental issues. Orpheus has always believed his father no matter what, never disobeyed him, and revered and honored him until the almost end. Just before he passed away, Orpheus’s father told him about how he has been lying to him his whole life. His father wasn’t lying to benefit Orpheus either; in fact this lie set Orpheus up for a very disappointing life so far. The lie was told so Orpheus would never know his father’s true self. Malva’s parents, on the other hand, never treated her like a daughter and were using her as an object to be given away at their discretion. The father’s shared a similar moment of revealing their true-self to their children as a precursor to death. Definitely following the idea that this is their last chance to come clean, giving both Malva and Orpheus a sense of direction in their life.
I have a read a great number of unfavorable reviews for this book and I can see where some of them are coming from. There are elements that seem to pop out of no-where and were presented in too rapid a fashion but I think that is what also appeals to me. Malva led a very sheltered life, always surrounded by the same people and the same routines. The outside world is chaotic and dangerous and Malva was able to experience that and was changed because of those experiences, and yes it just happened to be on a very expedited scale.
I have been trying to think of titles that are similar enough to this that if you read it you would absolutely love them as well, but for me this book covered quite a few different genres and pulled from different cultures to create something unique and special. It is also a book that can appeal to younger tweens (around 12) but could interest young adult readers as well. The issues faced by the characters were not too mature, the physical romance never went past simple kisses, and the violence was pretty mild. There were elements of Greek mythology, so I would say read the Percy Jackson series if that part interested you. Another book that I think of when reading this book is the Goose Girl by Hale: princess on the run, making a life or herself.

The book was originally published in French and these first two covers are French publications.
    

The most recent cover (I have also seen it as The Princetta and the Captain)

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