Thursday, February 28, 2013

The Higher Power Of Lucky



Patron, S. (2006). The higher power of lucky. (Phelan, M. illus.). Atheneum Books for Young Readers. ISBN 9781416901945
Primary genre: realistic fiction
Other elements: family, friendship
Intended reader age: 9 and up
Synopsis:
Ten-year-old Lucky Trimble lives in Hard Pan, a small town of 43 located in the desert of California, and spends much of her time eavesdropping on the stories told by the 12-step anonymous members. The sudden loss of her mother and abandonment of her father has left Lucky with the desire to find that Higher Power the members always talk of. On top of this Lucky now fears that her Guardian, Brigitte, is going to go back to France and which will leave Lucky a ward of the state. Lucky decides the only option she has is to run away. A sudden dust storm and an unwelcome visitor make running away a lot more difficult than Lucky was expecting.
Review:
I really enjoyed Lucky as a character; I found her to be intelligent, resourceful, and extremely child-like at times. Not child-like in the demeaning sense (which we usually use it for now) but in sense that Lucky still saw the possibility for everything to turn out happy. The place that this child-like quality really stood out was when Lucky made the decision to run away. She decided to run away because she “liked the idea that by running away she could make people do things they wouldn’t do otherwise” (p. 85). There was never a point that Lucky thought of the bad aspects of running away, she planned out exactly where she would go, how long she would be gone, and the expectations she had for when she came back home. She didn’t want Brigitte to leave because if Brigitte left, Lucky would be moved from the only home that she has ever known. Her home, and her attachment to it, is another aspect that speaks of her child-like quality. There are not many tweens, especially in our society, who would be content to remain in a town with a population of 43 surrounded by nothing but the desert. But the town is remade through Lucky’s eyes, she doesn’t see the desert as a hot, dusty landscape but gives readers views of the beauty and the life present.  
Lucky’s biggest wish through the novel is to find her Higher Power, a term she learned while listening to 12-step program meetings. This is a term that reflects these characters descent into the worst possible moment in their lives and how that turned them around. Lucky finally comes to understand what this term represents when she runs away, “she suddenly understood that she’d been doing everything backward. She’d thought you looked for your Higher Power and when you found it you got special knowledge-special insight- about how the world works, and why people die, and how to keep bad things from happening” (p. 79). This is the moment that Lucky moves away from her child-like thoughts that everything will work out perfectly and everything will make sense. She accepts that there will not always be answers to why bad things happen.
It often felt through the book that Patron intended for this to be read by the younger spectrum of tween readers. The main character is only 10 and is primarily focused on family issues more so than friendships. Lucky’s tendency to carry around a survival pack reminded me of Kate from The Mysterious Benedict Society, although in Kate’s case it was a survival bucket. Patron also continued the story of Lucky, turning this story into the first of three.


Thursday, February 21, 2013

The Kingdom Keepers



Pearson, Ridley. (2005). The Kingdom Keepers. Disney Editions. 325 pages. ISBN 0786853338
Primary genre: fantasy
Other elements: science fiction, mystery, adventure, friendship, family
Intended reader age: 10 and up
Synopsis:
The fantasy of having the run of a Disney park after everyone else has left for the day has filtered through many a young (and not so young) person’s mind. But, for 5 middle school kids in in the heart of Orlando, FL this dream is quickly becoming a reality and it is not at all what every thinks it would be. Finn Whitman and four others were lucky enough to be selected for an all-new experience being placed in the Walt Disney World; they were chosen to become DHI’s, Disney Host Interactive also known as Digital Hologram Imaging. But now when they go to sleep at night they wake up back in the park as their holographic counter-part. The fight between good and evil is just as real as the stories make it out to be and now that fight is reaching into the real world. It is up to Finn and the others to tip the scales back to the side of good and save the park from being overrun by evil. 
Review:
I first read this book when it was originally released in 2005 (When it was just called The Kingdom Keepers) and then I had to wait 3 years for the next one to finally come out. I am not certain if they had just planned to leave it as a standalone or if other factors waylaid the continuation of the series. I think it was the change in cover when they went to paperback that also saw the change in title; adding the subtitle Disney After Dark and this change allowed them to turn the original title into the series title. I was lucky enough to hear Pearson talk about the series at the D23 Expo back in 2011. It was interesting to hear him talk about the research that goes into the books (how he has pretty much unlimited access to the parks) but also the ways in which his hands are tied. Disney is very strict in how their brand is displayed and I am sure their rules often keep the series from going in certain directions. Makes me wonder how free Pearson is to really take the story line where he wants it.
As many a review before has stated this is a great concept but it could have been done better. The biggest complaint for me is the portrayal of the adults. Once again we have adults who will use fall for any excuse and appear to be more than okay with sending these young characters off to dangerous situations that the adults are unable to handle. I know, I know, this is done to give those young characters the chance to save the day, but, again, it could be done better. I can see why they do this with the parents (tweens already view them as slightly clueless right?) but I had the most trouble when Wayne would do this. He is supposed to be the ‘mastermind’ behind getting the kids in there and the leader of this fight to save the parks. But the scenes with him always involved him talking in riddles; half the time he demanded quick resolutions but would end the conversation by saying, “You figure it out” when the kids asked for clarification. Plus he had been involved in this since Walt Disney was still alive and had not been able to figure out a riddle it took the kids a few days to solve? Then there was no explanation on how that information would help tip the scales, the book just ended with them stealing the information from their adversaries.
The main characters are all supposed to be around thirteen I think Finn is closer to the fourteen mark. But, their interactions did not easily come off as real-life tweens at those ages; the part that really made this point for me was when Willa showed up in a long nightgown and told the others her mom had put her to bed. I cannot think of many 13-year-olds that allow their mothers to put them to bed let alone pick out their clothes. The characters felt younger to me, and I think that along with the premise of the story does leave this open to those younger readers more so than older readers. Of course these aspects do give those slighter older readers the chance to relive similar moments they may have experienced and like any series, readers can grow with the characters.
There are now 5 books in the series, and from what I have read and heard it will stop at 7. Then for readers who like that inclusion of Disney-style fables Pearson co-wrote the Peter and the Star Catcher series. 



I definitely prefer the original cover to these new ones. The one on the right is the new cover art they are using for all the books. 

Maniac Magee



Spinelli, J. (1999). Maniac Magee. Little, Brown and Company. (Original work published 1990). 180 pages. ISBN 0316809063
Primary genre: realistic fiction
Other elements: family, friends, folklore
Intended reader age: 11 and up
Synopsis:
Maniac Magee, born Jeffery Lionel Magee, is practically a legend when he makes his way to Two Mills. Before achieving that status however, he was just a normal boy. The death of his parents when he was three and the unhappy marriage and home life of the aunt and uncle that take over raising him, however, drive Jeffery away and set him on the path to becoming Maniac Magee. The only thing Maniac wants is a happy, safe home but when he does find it prejudice and a racially divided town send him on his way to search again.
Review:
This is a book that offers so many discussion topics because of the multitude of issues that are addressed: loss, importance of family/ home, homeless, runaways, racism, acceptance, underage drinking, and neglect are a few that really stood out to me. The issue that I saw pushing the story along the most was Maniac’s search for a home and family. There were times where he found it but something always interfered and pushed him to start looking again. It was the loss of this that started the story and the desire for this that compelled him to run from his aunt and uncle. They felt an obligation to remain in their unhappy life, but Maniac wanted more than that and went out to find it.
I found it interesting that Maniac was invested in continuing his education, even though he did not want to go to school. This issue was not addressed when he was living with the Beale’s, it was discussed how Amanda went to school, but not Maniac. The issue was raised in the next section by Grayson, who had not finished school or even learned how to read himself. The issue of kids in school was raised again with Russell and Piper because they were absolutely against going and only went if they were bribed. The most curious part of the story for me was Maniac’s stay with the McNab family and even he questioned this himself. He fought everyday to get those kids to school and it was never really made clear at the end if they made a conscious decision to start going on their own. Their interactions with Mar’s Bar’s mother does leave readers with the feeling that they are on their way to a change in lifestyle. It is only hoped that their resolve can withstand their home life.

The only other book I have read by Spinelli was Stargirl, but I have heard that many of his other books are just as engaging and I believe this is his only book to be a Newbery award winner. 

Sunday, February 17, 2013

My attempt at 'talking up' a book


One of the additional assignments for my course is using Web 2.0 tools to promote books in different ways. This is the first exercise, a book talk I recorded through Soundcloud.
I choose to do mine on the most recent book I finished, Wildwood by Colin Meloy.
Enjoy!

Wildwood



Meloy, C. (2011). Wildwood. (Ellis, C. illus.). Balzer + Bray. 576 pages. ISBN 9780062024701
Primary genre: fantasy
Other elements: adventure, family, friendship, coming of age, politics
Intended reader age: 8 and up
Synopsis:
Prue McKeel is propelled into an adventure when her one-year-old brother is kidnapped by a murder of crows while under her care. The crows take her brother to the Impassable Wilderness a wilderness that borders her hometown and one that all the locals avoid. Prue finds an unlikely ally in her classmate, Curtis, as she heads into the woods and dangers unknown. In the woods Prue and Curtis find that there is more than going on than outsiders ever thought possible. Their simple rescue mission soon becomes a secondary goal as they become swept up in the political unrest.
Review:
The one aspect that I enjoyed the most in this story was the role that was given to Curtis. He started out as a kind of nuisance to Prue; she did not want his help in finding her brother and made that very clear. But, in Wildwood he really came into himself. He was described as an outsider both at school and at home so it was fitting that this came to pass in the story. I especially loved when he was looking in the mirror and compared himself to “Taran Wanderer” and “Harry Flashman” (p.102). The Taran reference was the greatest fit (in my eyes) because at that point in the story, Curtis had no real notion of what heroics and adventures entailed, just the ideas he formulated through reading and watching movies.
I found elements of this story to be reminiscent of The Lion, the Witch, and the Wardrobe; especially Curtis’s initial interaction with Alexandra. His interactions with his peers have altered greatly in the outside world; everyone else is ‘growing up’ and moving on to appropriate interests. Curtis, on the other hand, is left behind and viewed as odd because he still watches cartoons and has an interest in superheroes (nothing wrong with that in my eyes). Then, in Wildwood, he finds himself in this magical world and this fierce, beautiful woman begins to pay him all this attention. So, I can see why he falls for her act in the beginning; but when it came down to really seeing the wrongs that she was dealing Curtis flat out told her he would not be part of it. He then spent the remained of the book trying to make up for his involvement and stop Alexandra. 
The one complaint that I have with this story was the parents. I know this is a tween title and the focus is supposed to be on the tween characters being the heroes and saving the day. I just had an issue with how Prue’s parents first didn’t know the difference between a soggy bunched-up blanket and their one-year-old son and second (and more importantly) how they handled the news when Prue told them what happened to that same son. Their basic response was, “Well, he is lost, but at least we have you. Let’s forget this ever happened and move on with our lives.” Yes, this gave Prue the resolve she needed to go back into Wildwood and finish what she started; but I just felt it could have been handled differently.
There is now a second book out, Under Wildwood, which I have not had the opportunity to read just yet. I am waiting for the paperback to be released and I have every intention of reading it. 





I love fancy covers. >